Peacoat project 1: deconstruction

I have a gray peacoat that has been with me at least since the late nineties. I don’t remember exactly when I got it. It’s still around partially because it’s a well-made wool coat, but partially because I haven’t worn it in several years. Why?

lining rips
Why, indeed.

And that’s after I repaired it! Back pockets (and, I believe, a set of keys always kept in the same front pocket) are hard on coats. (And armpits are too.) A couple of years back I made a stab at adding a second layer of lining to the coat, but it didn’t go well. Here’s the “before before”, which has that lining in it, though you can’t see it well.

before-before

As a secondary issue, the coat was missing two buttons. I didn’t care for the originals enough to track down replacements, so some years ago I also bought ten new buttons to put on.

I like them better

This fall I decided to do things properly and really get this coat fixed. I found some heavy satiny material in the clearance section of the store that I fell in love with, all rich watercolor leaves on a black background, and bought what was left of it (about two yards). Then I took out the lining of the coat and took half of it apart. Incidentally, I did some searching online for directions to replace a coat lining, and the one that had a yardage estimate said 3-4 yards. I figured the coat is only hip-length and if necessary I could use plain black fabric for the sleeves, but I don’t think that will be necessary.

lining laid out
This is wider than standard lining material, but really.

To replace a lining you have to make a lining. You can see the process in the picture above: take apart your original lining to make a pattern. I cut off the seam allowances (trimming at the stitch line) with the plan to make paper patterns with new seam allowances of known width. I only took apart half the lining, so the other half can show me the order the pieces go together, and I took a bunch of pictures of the coat before and as I took it apart. Digital cameras are a beautiful thing!

My sophisticated pattern-making setup:

pattern making pattern making

I added a half inch all around. The lining had sagged badly, then been folded and sewn up at the hem rather grotesquely, so I also measured how long I needed it to be and adjusted the length of the pieces accordingly. Incidentally, my pattern paper is almost all from TJ Maxx. It’s the paper they use generously to wrap anything that might be fragile before bagging it. It is perfect for patterns.

Before making and inserting the lining, I changed out the buttons and ironed in some flexible black tricot interfacing, to give the wool in the back some oomph and help keep future rubbing from wearing it out. I stitched along the stitch lines already visible from the outside to help the tricot stay in place. The buttons look much better – those old shiny ones were just too much.

new buttons!

The new buttons are black, they just don’t look like it in the picture. There is a clear flat button for the solo buttonhole on the inside flap, but it cannot be sewn on until the lining is in.

I haven’t finished the project yet – there will be a sequel when I have the lining cut out, assembled, and inserted, and the last button sewn on.

Update: The thrilling conclusion is now posted.

I love Halloween

Really I do. I love the autumn, I love costumes, I love pumpkins and cats and goblins and witches. I love committing myself to serious costumery:

bearded lady costume
The cash box says “Step Right Up!”

I had to take the beard off to eat, though. Otherwise I’d have ingested a lot of plastic.

I love making excessively seasonal food:

pie with leaf and acorn crust cut-outs

Okay, that was for Thanksgiving, I’ll admit. But these weren’t:

witch and pumpkin apple slices

jack o'lantern radishes

What do you do for autumn and/or Halloween?

Saturation

The finished quilt: a 6″ by 6″ piece titled Saturation. It will be shown at an art fair on Wednesday.

complete!

The title came before the design; I was considering a quilt of leaf-patterned fabrics but just wasn’t feeling it, and the Feeling Stitchy August stitchalong was on my brain as well. I started looking at the fabrics and seeing what I liked, and the rich, saturated colors were the ones that grabbed me. Colors are saturated when they are very far from a gray of the same lightness. I think of saturated colors as being Very: very intense, very themselves. They don’t have to be dark or primary colors, but they are not going to be neutral.

On top of the saturated colors I saturated the quilt with embroidery. I tried to find a way to put an additional level of saturation into the quilt but I didn’t want to be so literal as to make it evoke the molecular structure of a saturated fat, or the mathematical structure of a saturated bipartite graph. Two levels will do.

close-up close-up